The Knikerboker Schegge collection is the result of a true creative explosion, reproducing sharp aluminium fragments designed for high ceilings and large spaces. Inside, they are equipped with a 25-watt LED strip, and there is also a double-beam version in the suspended version.

In addition, a wall version is available and the entire collection has completely new finishes such as brick colour and coffee colour.

The Italian manufacturer Knikerboker stands for craftsmanship and high-quality materials that make each lamp unique. Schegge is deliberately made of aluminium, very flat and equipped with delicate steel cables. These four cables enable a suspension that makes the LED pendant lamp appear exciting and individual. Thus, it can be realised to mount Schegge with inclination or simply horizontally and balanced. In combination with others, exciting light pictures and true works of art are created. Whether above the dining room table at home in a modern style of furnishing or in the reception area of a hotel – Schegge is equally well suited for both areas.

Taking its name from the Italian word for a ‘quaver’ or ‘eighth’, Croma, design by Luca Nichetto, is Lodes’ first floor lamp.

Together with Luca Nichetto, we re-examined the design of the classic floor lamp, which typically opens out at the top rather than the base. By literally turning the frame on its head, we created a product that embodies our ethos – considered design with powerful and personalised lighting that prioritises the end user.

The Croma Lamp is available in four unique finishes. Green and Bronze which, featuring a metallic ombré effects, fade from green to black and from bronze to nickel. The two matte shades, in solid white and black, have a texturised finish that would be well suited to a commercial setting.

Previously known as Studio Italia Design, Lodes completed a rebrand process in June 2020 — on the occasion of its 70th anniversary — which culminated with the unveiling of the new logo and brand identity. Since then, as part of a strategic vision led by General Manager Massimiliano Tosetto, Lodes has been heralding a new era of contemporary design celebrating the company’s manufacturing know-how and high-quality Made in Italy essence.

Lodes Lamp Design is attending supersalone, the special event of the Salone del Mobile.Milano curated by Stefano Boeri. At supersalone we present a selection of our most recent products, the result of new collaborations with eclectic and international designers.

Among the new additions, JIM by Patrick Norguet, Cima by Marco Dessí, Random Solo by Chia Ying-Lee, as well as Aile and Easy Peasy by Luca Nichetto. We also unveiled our new floor lamp Croma, 2022 novelty which is the latest product to come out of the ongoing collaboration with Luca Nichetto.

Lodes is also part of the exhibition-installation Fluid Home by Elle Decor Italia at Palazzo Bovara created by Elisa Ossino Studio with the landscape design by Marco Bay.

Two important compositions of Random Solo by Chia Ying-Lee, Cima by Marco Dessí, Puzzle Mega by Studio Italia Design and the new floor lamp Croma by Luca Nichetto have been chosen by Elisa Ossino Studio to represent Lodes.

Previously known as Studio Italia Design, Lodes completed a rebrand process in June 2020 — on the occasion of its 70th anniversary — which culminated with the unveiling of the new logo and brand identity. Since then, as part of a strategic vision led by General Manager Massimiliano Tosetto, Lodes has been heralding a new era of contemporary design celebrating the company’s manufacturing know-how and high-quality Made in Italy essence.

A lighting collection by Luceplan

Discover the new decorative lighting collections by Luceplan for interiors, the result of partnerships with design studios and firms including Archirivolto Design, Mandalaki Studio, Meneghello Paolelli Associati, Marco Spatti and Studio Shulab.

Doi has been created as a suspension lamp system. The typology calls for one or more parts to be suspended from the ceiling by means of a cable, free to move and float in space, until their weight achieves stability to determine their position. The lamp appears to be stable, but is always in a state of tension.

Elegance and purity of style characterise this set of suspension lamps named Koinè – both in reference to the Mandalaki design studio (Greek word meaning “clothespin”) and for its meaning of “shared language”, referring to its shape which offers such extreme versatility.

A chandelier of great emotional impact, based on the creative intuition of the designer, together with the research on materials, technology and design conducted by di Luceplan. A new protagonist for living areas in the home, but also for contract applications.

The range of Malamata lights (named to recall the designer’s Israeli roots, drawing on the Hebrew meaning of ‘up and down’) is characterised by the possibility of a variety of diffuser positions. The light can be used in different positions thanks to a counterweight in the form of a sphere with a button that enables adjustment. 

The Zile light range, named for its diffuser shape which resembles a Tibetan bell, features a minimalist design. The range comprises floor lamps, table lamps and pendant lights. The special feature of this project lies in its close attention to sustainability: the lampshade is made of a long-lasting bioplastic (PLA).

With its retro flair, Nostalgia elegantly tells of ancient glass blowing practices in three sinuous forms that can be combined at will. The perfection of the glass, the innovative LED technology and six elegant finishes make Nostalgia an extremely contemporary and versatile lamp that lends itself to the creation of captivating atmospheres, whether on or off. Elegant and delicate, Nostalgia is a suspension lamp with a distinctly retro style that interprets the concept of versatility from an entirely contemporary perspective. Thanks to the special workmanship of the blown glass, its discrete forms assume soft curves, made even more appealing by the different finishes, in a dialogue of fluid and vibrant reflections. With the three lamps in different shapes, small, medium and large with diameters 12.5, 20 and 28 cm, available in six finishes, Nostalgia allows the creation of a myriad of lighting solutions. Singularly to light up a table or offer a touch of sophistication and relaxation to the bedroom, in linear groups on a bench or peninsula, or composed in clusters to accentuate large living spaces with sophisticated scenic effects, Lodes Nostalgia allows one to play and furnish. Suspended from a power cord, Nostalgia diffuses a warm and soft light emitted by a 9W LED source. The colour rendering index (CRI) of 92 retains the true colour of objects. Nostalgia is a decorative element and high-performing set that seduces with the elegance of glass, conquers with the harmony of its proportions, and furnishes with personality and style.

Previously known as Studio Italia Design, Lodes completed a rebrand process in June 2020 — on the occasion of its 70th anniversary — which culminated with the unveiling of the new logo and brand identity. Since then, as part of a strategic vision led by General Manager Massimiliano Tosetto, Lodes has been heralding a new era of contemporary design celebrating the company’s manufacturing know-how and high-quality Made in Italy essence.

Strong design and leading-edge technology come together in Nautilus, a family of wall and ceiling lamps. The lamp is characterised by a convex lens that projects the LED light wherever its needed or most preferred, for a truly efficient and personalised result. With Nautilus we explore relations – the bond between our products and users and the interaction between lamps and the environments they decorate with light. Nautilus can be used as a single element to project direct light symmetrically in opposing directions. Alternatively, the mobility of the diffusers, which can be separated with an opening of up to 90° and rotated by 320°, allows the two light beams to be managed individually at will. Versatile and dynamic, either on the wall, ceiling or suspended in a variety of versions and finishes, Nautilus lamps satisfy a full range of lighting needs, whether functional or purely decorative, in both residential and professional contexts. Previously known as Studio Italia Design, Lodes completed a rebrand process in June 2020 — on the occasion of its 70th anniversary — which culminated with the unveiling of the new logo and brand identity. Since then, as part of a strategic vision led by General Manager Massimiliano Tosetto, Lodes has been heralding a new era of contemporary design celebrating the company’s manufacturing know-how and high-quality Made in Italy essence. Balancing technical know-how and the best Made in Italy design, Venice-based Lodes has been designing and producing lighting solutions for interiors and exteriors since 1950. Originating in founder Angelo Tosetto’s passion for glass and informed by continuous technological research, the company has evolved into one of Europe’s leading designers and manufacturers of decorative lighting, currently present in 90 markets worldwide. Today, Lodes represents a three-generation evolution from pure passion to brilliant architectural solutions, creating light sources that fuse contemporary design and innovative technology with materials of the highest quality, scrupulously developed with the best processing techniques. The firm Studio Italia Design has been selected as one of the most dynamic Italian companies according to the survey “Campioni della crescita 2020” (2020 Growth Champions), as well as in 2021, published in La Repubblica’s “Affari & Finanza”.

The enthusiasm for technical systems, the fascination with the “medium of electricity”, the constant examination of the possibilities of this technology and the resulting realisation of the perspectives of this technology were the reason for Carl Steng to found a company for light and electrical engineering in Stuttgart-Bad Cannstatt in 1911. This was at a time when gas lamps were still common in most households. After the complete destruction of the Second World War and the death of his father, his son Hans led the company through the difficult phase of reconstruction until 1973. In 1973, Peter Steng, the grandson of the company founder, took over the management in the third generation. In the best tradition of “Swabian tinkerers”, he became a protagonist of the then novel low-voltage technology. Over the years, the development of new systems and a penchant for sophisticated design led to a respectable collection of lamps that were honoured with national and international awards. With the entry of Andreas Steng into the management in 1997 and his participation in the company in 2004, the fourth generation is now actively integrated in the company. Following the retirement of Peter Steng in 2014 and the participation of Torsten Alberts in 2017, Andreas Steng as Managing Director and Torsten Alberts as Authorised Signatory are now jointly at the helm of the company. The STENG company represents more than 100 years of tradition on the one hand, and a diverse, innovative and modern product range on the other. The large number of national and international design awards as well as the cooperation with renowned designers and architects reflect the innovative strength and flexibility of the company to adapt to new technologies and market requirements. We offer the right solution for every requirement and situation, whether for high-quality, private furnishing needs or for professional applications in the contract sector. The fact that tradition and progress are not mutually exclusive is part of the self-image of today’s STENG LICHT GmbH – not least due to the fact that STENG lamps are almost exclusively manufactured in Germany. With the high demand for best quality and craftsmanship.

Born in Milan, 1921, Angelo Mangiarotti graduated in architecture from the Milan’s Politecnico in 1948. Between 1953 and 1954 he worked in the US taking part, amongst other things, in the “Loop” design competition in Chicago. During his stay abroad he met well-known architects of the likes of Frank Lloyd Wright, Walter Gropius, Mies van der Rohe and Konrad Wachsmann.

In 1955, back from the United States, he opened a studio in Milan and in 1989 he set up the Mangiarotti & Associates Office based in Tokyo. From 1986 to 1992 he served as Colle Cristalleria’s creative director.

Angelo Mangiarotti combined his professional activity – his works are published in books, journals and newspapers – with an intensive teaching role in the most important universities in Italy and abroad. In 1953-1954 he worked as visiting professor at the Institute of Design of the Illinois Institute of Technology in Chicago; in 1963-1964 he held a course at the Istituto Superiore di Disegno Industriale in Venice; in 1970 he was appointed as visiting professor at the University of Hawaii, in 1974 at the Ecole Politechnique Fédérale of Losanne, in 1976 at the University of Adelaide and at the South Australian Institute of Technology in Adelaide; in 1982 he worked as a contract lecturer at Palermo’s Department of Architecture; in 1983 he worked as a supply lecturer at the chair of Composition at Florence University’s Department of Architecture; in 1989-90 he worked as contract lecturer at the Department of Architecture of the University of Milan; in 1997 he was appointed as contract lecturer for the course in Industrial Design at the Department of Architecture of Milan’s Politecnico. His activity as a designer has been marked by numerous awards, both in the design and construction fields, including the Domus Formica award in 1956, the In/Arch per la Lombardia award in 1962, the Primo Premio Nazionale del Golfo di La Spezia per l’Industrial Design in 1963, the AIP award for industrial construction works in 1972, the Prix Européen de la Construction Métallique in 1979, medal and honorary degree at the 3rd edition of the International Architecture Biennial in Sofia in 1986, the first prize at the “Targa Alcan” competition for the application of aluminium to architecture in 1989, special mention at the In/Arch Premio Nazionale in 1989 for the industrial manufacturing of a construction element; in 1991 the Design Plus award for the “Ergonomica” table collection. Finally, in 1994 he was honoured with an award as part of the 1994 Marble Architecture Awards for design projects using stone material and the ADI Compasso d’oro for career achievements.

In 1998 he was the recipient of a Honoris Causa degree in Engineering from the Department of Architecture of Munich’s Technischen Universität. In the same year he is honoured with the gold medal in the architecture category by the Accademia della Torre of Carrara. In 2002 a comprehensive exhibition of his design works is held at the Triennale Design Museum in Milan and in October he received a Honoris Causa Degree in Industrial Design from the Department of Architecture of Milan’s Politecnico.

In 2004 he holds a conference at the inauguration of an exhibition exclusively devoted to his work, held at the Gallery MA in Tokyo. In 2006 he is given the “Design Apostle” medal by Rima Editrice. In 2007 he received a special mention at the Marble Architecture Awards for the refurbishment of Piazza Battisti in Carrara. In May 2010 an exhibition dedicated to Mangiarotti was held at Calenzano’s Design Museum and for the occasion he appeared as a guest on Lezioni di Design, a programme broadcast by Rai Educational.